Epiphone ECLPR9WBNH 1959 Les Paul Standard Reissue Electric Guitar (Washed Bourbon Burst)
SKU: 58429807595

Epiphone ECLPR9WBNH 1959 Les Paul Standard Reissue Electric Guitar (Washed Bourbon Burst)

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Description

Epiphone ECLPR9WBNH 1959 Les Paul Standard Reissue Electric Guitar (Washed Bourbon Burst)A 1959 vintage style Les Paul Standard Reissue Inspired by Gibson Custom, now with a rosewood fretboard and a new Vintage Gloss finish The 1959 Gibson Les Paul Standard is one of the worlds most covetedand valuablevintage guitars. It has been embraced by numerous famous players, including Peter Green, Kirk Hammett, and Joe Bonamassa. The 1959 Les Paul Standard is very similar to the 1960 model year that followed it, but with a few differences, most

A 1959 vintage-style Les Paul Standard Reissue Inspired by Gibson Custom, now with a rosewood fretboard and a new Vintage Gloss finish

The 1959 Gibson Les Paul™ Standard is one of the world’s most coveted–and valuable–vintage guitars. It has been embraced by numerous famous players, including Peter Green, Kirk Hammett, and Joe Bonamassa. The 1959 Les Paul Standard is very similar to the 1960 model year that followed it, but with a few differences, most notably, a somewhat beefier 1959 Rounded Medium C neck profile that many players prefer over the thinner SlimTaper™ profile found on the 1960 Les Paul Standard models. Now, Epiphone is proud to introduce the Epiphone 1959 Les Paul Standard Reissue, a beautiful recreation of those rare 1959 Les Paul Standard models. Made in partnership with Gibson Custom, the Epiphone 1959 Les Paul Standard Reissue delivers vintage Les Paul looks and performance at an accessible price. All of the classic appointments the 1959 Les Paul Standard model is known and loved for are present here, including a one-piece mahogany neck with a long neck tenon for increased stability and sustain, an authentic 1959 Rounded Medium C neck profile, and a bound rosewood fretboard. It also features mother-of-pearl trapezoid fretboard inlays, an aged mother-of-pearl Epiphone headstock logo, and the words “Les Paul Model” silkscreened in gold on the Gibson-style “open book” headstock. Even the side dot position markers are the same size as on vintage 1959 Les Paul Standard models and are placed in historically accurate locations. The genuine mahogany body features a carved maple cap that is topped with a beautiful AAA flamed maple veneer. The electronics are first class, with two USA Gibson Custombucker humbucking pickups with Alnico 3 magnets that are hand-wired to CTS® potentiometers, Black Beauty paper-in-oil capacitors, and a Switchcraft® pickup selector toggle switch and 1/4” output jack. The Vintage Gloss finish gives the guitar a vintage appearance without looking overly aged and is nicely complimented by the nickel hardware, including the Epiphone Deluxe “Single Ring” Keystone button tuners. A Brown hardshell case with Inspired by Gibson Custom graphics and a pink plush-lined interior is also included. This is the perfect Les Paul for players who love the vintage appeal of the classic 1959 Les Paul Standard but don’t want to mortgage or sell the house to afford one.

Features

  • Mahogany Body
  • Maple Top with AAA Figured Maple Veneer
  • One Piece Mahogany Neck with Long Neck Tenon
  • Rosewood Fretboard with 22 Medium Jumbo Frets and Mother-of-Pearl Trapezoid Inlays
  • Custombucker Alnico 3 Pickups (Unpotted)
  • Switchcraft 3-way Toggle Switch and 1/4" Output Jack
  • Hardshell Case with Inspired by Gibson Custom Logo

Specifications

Body

  • Body Style: Les Paul
  • Body Shape: Les Paul
  • Body Material: Mahogany
  • Top: Maple with AAA Flamed Maple Veneer
  • Binding: Single Ply Cream, Top and Fretboard
  • Body Finish: Vintage Gloss

Neck

  • Profile: 1959 Rounded Medium C
  • Scale Length: 628.65 mm / 24.75 in
  • Fingerboard Material: Rosewood
  • Fingerboard Radius: 304.8 mm / 12 in
  • Neck Material: One Piece Mahogany
  • Fret Count: 22
  • Frets: Medium Jumbo
  • Nut Material: Graph Tech
  • Nut Width: 43.0 mm / 1.692 in
  • Inlays: Mother-of-Pearl Trapezoid
  • Joint: Glued In, Set Neck; Long Tenon

Hardware

  • Finish: Nickel
  • Bridge: ABR-1 Tune-O-Matic
  • Tailpiece: Gibson Historic Reissue Aluminum Stop Bar
  • Tuning Machines: Epiphone Deluxe, Single Ring Keystone Button
  • Pickguard: Cream, No Bevel
  • Truss Rod: Dual Action
  • Truss Rod Cover: 2-ply Black Bell; Blank, Wide White
  • Control Knobs: Gold Top Hat with Nickel-plated Dial Pointer
  • Switch Tip: Amber
  • Switch washer: Cream with Gold Hotstamp
  • Jack Plate Cover: Cream
  • Control Covers: Black with Gold Inspired by Gibson Custom Logo
  • Strap Buttons: 2 - Bottom and Shoulder
  • Mounting Rings: Cream
  • Pickup Covers: Nickel

Electronics

  • Neck Pickup: Gibson Custombucker
  • Bridge Pickup: Gibson Custombucker
  • Controls: 2 Volume, 2 Tone; CTS Potentiometers, Bumblebee Paper-in-Oil Capacitors
  • Pickup Selector: Switchcraft 3-way Toggle
  • Output Jack: 1/4" Switchcraft

Miscellaneous

  • Strings Gauge: .010, .013, .017, .026, .036, .046
  • Case: Hardshell with Brown Exterior, Pink Interior, and Inspired by Gibson Custom Graphics
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SKU: 58429807595

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db
Belleville, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
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SteelBlue
Draper, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
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Reviewed in the United States on December 2, 2005
A
Verified Purchase
An oldd Clancy fan
Port Orchard, US
★★★★★ 2
Make sure you buy the 2007 edition!!!!
Format: Paperback
I bought the book, enjoyed it and then realized that I hasd purchased the 2005 edfition and not the new 2007 edition. be careful as the new one is much better. Amazon should have made this clear!!!!!!!!!!!!
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Reviewed in the United States on December 8, 2007
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Wade Armstrong
Chelsea, US
★★★★★ 5
An Essential
Format: Paperback
I've created PowerPoints for executives in major corporations and national non-profits for years now, and this is one of the first books I suggest anyone who needs to create their own PowerPoint look to. Beyond Bullet points is accessable enough that the novice PowerPoint user can understand what's going on and use the lessons in his or her next presentation; it's also detailed and challenging enough that even an old salt like me can find things to learn and do. Don't be another person who stands on stage reading their PowerPoint, and don't let reading your slides distract the audience from your presentation; follow the suggestions in this book and wow your audience.
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Reviewed in the United States on January 3, 2007
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Shelley Sebby
Los Angeles, US
★★★★★ 5
School book
Format: Paperback
Needed for college - reasonable price
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Reviewed in the United States on September 9, 2019

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